“The cinematographer Alan McIntyre Smith working overtime to convey a woozy beauty.”

Nicolas Rapold, The New York Times

“In Sarah Daggar-Nickson’s highly skillful debut feature, Olivia Wilde gives a defining performance as an all-too-human avenger of domestic abuse.”

Owen Gleiberman, Variety

“…impressive cinematography.”

Frank Scheck, The Hollywood Reporter

“A Timeless Tale of True Love in Digital Video.”

Matt Zoller Seitz, The New York Times

“Films about women pushed to the brink of crime or violence are hardly new…but this film has a distinctive flavor and is obviously driven by      of-its-moment concern.”

John DeFore, The Hollywood Reporter

“Cinematographer Alan McIntyre Smith shoots steamy Alexandria, Louisiana, in vivid colors as saturated as Trammell’s sweat-soaked T-shirt, which adds to the intoxicating feeling of being immersed in Sonnny’s fractured psyche.”

Serena Donadoni, The Village Voice